Showing posts with label The Milk Carton Kids. Show all posts
Showing posts with label The Milk Carton Kids. Show all posts

Wednesday, July 12, 2023

A Rare Pleasure –The Milk Carton Kids at Thornbury Theatre

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The Milk Carton Kids  - live 9 July 2023 at Thornbury Theatre

I’d be the first to admit that I have been neglectful in blogging, though truth to tell there is not much happening in my life worth reporting, as we endure another winter.

In the past I attended many musical events, but these days, with old age diminishing my hearing I’m less inclined to go.

However I made an exception for The Milk Carton Kids having seen them twice before, firstly at Thornbury Theatre way back in June 2013, then again at the Athenaeum Theatre in July 2015.

Before attending I did purchase and listen to their latest CD I Only See The Moon, a masterful collection of ten beautiful songs, and was particularly taken with several of them, namely  One True LoveNorth Country Ride and Will You Remember Me.

The Thornbury Theatre was configured for concert mode, in rows of reserved seating and I’d booked tickets early enough to secure seats three rows from the stage in the centre section, a perfect position.

The show was opened by the support act, Canadian- American singer songwriter Vera Sola.

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Vera Sola live at Thornbury Theatre 9 July 2023

I must admit her act was quite dramatic, though not really to my personal taste.

The Milk Carton Kids on the other hand were just as engaging as previously witnessed and performed a wonderful set of thirteen songs, drawn from their 10 record repertoire.

They are a minimalist act, just the two of them – Joey Ryan and Kenneth Pattengale – standing around a single mike and combining gorgeous harmony singing with guitar (and banjo) accompaniments.

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The Milk Carton Kids – Joey Ryan & Kenneth Pattengale

I was delighted that they performed my favourites from their new record - exquisite renditions as you’d expect.

The audience in attendance were predominantly in the older age bracket, a circumstance remarked on by Joey Ryan when he singled out a young person sitting in the front row during one of the breaks between songs. Us older folk were amused rather than affronted by this, and gave the boys a rousing reception and even a standing ovation at the end of the night, where they returned for an encore of two songs, a fabulous cover of Pink Floyd’s Wish You Were Here and the final track on I Only See the Moon, Will You Remember Me?

They are a class act that I hope to see live again before I die.

 

Milk Carton Kids Setlist

1. Younger Years

2. Monterey

3. Maybe It's Time

4. Honey, Honey

5. All Of The Time In The World To Kill

6. When You're Gone

7. I Only See the Moon

8. One True Love

9. North Country Ride

10. Heaven

11. Michigan

12. All the Things I Did and All the Things that I Didn’t Do

13. I Still Want a Little More

 Encore:

15. Wish You Were Here (Pink Floyd cover)

16. Will You Remember Me?

Monday, August 10, 2015

Shane Nicholson Lets Hell Break Loose at the Caravan Music Club

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Shane Nicholson – Caravan Music Club – 8 August 2015

It was great to back in the wilds of Oakleigh at the Caravan Music Club, especially as one of my favourite Australian singer-songwriters was the star act.

I discovered Shane Nicholson way back in 2003 when he opened for a Kasey Chambers concert at the Palais in St Kilda, where I was so impressed by his performance that I sought out his debut solo CD It’s A Movie the next day. I still play it every so often and consider it has weathered the test of time remarkably well.

On Saturday night, Shane was launching his new album, Hell Breaks Loose, which had been released the day before. It has been widely praised by the critics – Rolling Stone Magazine gave it 4 stars – so I was really looking forward to hearing the new songs, and also picking up a copy of the CD at the concert.

The Weeping Willows (Andy Wrigglesworth and Laura Coates), who I recently witnessed opening for Iris Dement, were the support act for Shane Nicholson as well. My impression, seeing them for a second time, was that they had improved and appeared much more confident and upbeat in their performance.

They played a delightfully engaging set, many of the songs being newly composed for their forthcoming second, Pozible crowd funded, record. These included River of Gold, Travelling Man, Forgotten Flowers and Garden of Tears.

It is public knowledge that Shane Nicholson has separated from Kasey Chambers, his wife of six years. Shane claims that the new record is not a “break up” album. He admits that it is heavy in tone, but added that he liked “heavy” and that he was generally happy in his single state.

On Saturday night a number of songs from Hell Breaks Loose were played, but the majority of the 21 song set were either drawn from his earlier albums or covers of other artists.

Shane kicked off his set with new single Second Hand Man, then harked back to his collaboration with Kasey Chambers, singing Wreck & Ruin, the title track from their second joint album. That was followed by a song from Shane’s most recent solo studio recording, Bad Machines, the song being Jimmie Rodgers Was A Vampire.

The show promo advertised Shane Nicholson as appearing with a very special surprise guest.  This turned out to be Melody Pool, whom I have previously seen when she opened for the 2013 Milk Carton Kids concert at Thornbury Theatre.

She added her lovely voice to two of the covers, Stop Dragging My Heart Around, a Tom Petty penned song made famous by Stevie Nicks, and Believing from the Nashville TV Series.  She also sang lead vocals on a new song of her own, Black Dog, a bleak but powerful song about depression.

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Melody Pool at Caravan Music Club -  8 August 2015

The songs from Shane’s new record sounded fantastic. He has a deft way with words and writes wonderful lyrics. Particularly moving was Single Fathers and Hermannsburg, the latter composed during a visit with his friend, Aboriginal singer songwriter, Warren H Williams in the Outback.

Towards the end of Shane’s set, he summoned The Weeping Willows to the stage, along with Melody Pool and they gathered around a single microphone to sing John Prine’s The Speed of the Sound of Loneliness.

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The Weeping Willows, Melody Pool & Shane Nicholson

Supporting Shane through most of his set was *John Bedggood who played  tasteful fiddle and mandolin, whilst Shane stuck to guitar and occasionally tickled the piano keys.

As it has been several years since I have seen Shane Nicholson live, it was a rare pleasure to attend the concert at Caravan Music Club. It was a sell out, which must have been heart warming for Shane as I recall seeing him at the now defunct East Brunswick Club back in 2006 where only a handful of people showed up.

He has now won several music awards over the ensuing years, and has finally been recognised as one of the best singer-songwriters in Australia.

I wish him every success with Hell Breaks Loose.

SET LISTS

THE WEEPING WILLOWS SET LIST

  1. Down Below
  2. River of Gold
  3. Forever In My Dreams
  4. Falling Rain
  5. Travelling Man
  6. Forgotten Flowers
  7. ?
  8. Garden of Tears
  9. Devil ?
  10. ?
  11. Sixteen Feet of Stone

SHANE NICHOLSON SET LIST

  1. Second Hand Man
  2. Wreck & Ruin
  3. Jimmie Rodgers Was A Vampire
  4. The Quiet Life
  5. Weight of the World
  6. Hell Breaks Loose
  7. Monkey On A Wire
  8. Home
  9. Rattlin’ Bones
  10. Irons & Chains
  11. Single Fathers
  12. Stop Dragging My Heart Around (Tom Petty)
  13. Believing (Nashville TV Series)
  14. Black Dog (Melody Pool)
  15. Woe Is Mine
  16. Once In A While
  17. The Speed of the Sound of Loneliness (John Prine)
  18. Flat Nail Joe

Encore

  1. Hermannsburg
  2. House That Never Was
  3. Never Been To Spain (Waylon Jennings)

* Thanks to the anonymous commenter for supplying the name of Shane’s support musician.

Wednesday, July 01, 2015

The Milk Carton Kids–Midwinter Magic

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The Milk Carton Kids at the Athenaeum 30/6/15

Joey Ryan and Kenneth Pattengale aka The Milk Carton Kids last toured Australia in June 2013 and wowed those of us who saw them when they passed through then. We were charmed and amused by their minimalist but sublime performances, so it was a no brainer to buy tickets for their concert this time round.

Appearing this time at the beautiful old Athenaeum Theatre, one of the oldest Melbourne theatres still in use - established in 1839 – it is a small intimate venue that is perfect for the quiet, understated perfection of The Milk Carton Kids style of performance.

Opening for the main act was Wollongong born singer songwriter Timothy James Bowen who was an unknown quantity to me.

Joey Ryan took the time to introduce him to the audience, delivering in his dry way a back handed compliment, stating that Timothy James Bowen had a better voice than himself. Tongue in cheek, he added that normally The Milk Carton Kids would choose support acts with worse voices.

Joey wasn’t wrong, Timothy James Bowen has an expressive sweet tenor and performs with passion and conviction.

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Timothy James Bowen at the Athenaeum 30/6/15

Timothy sang a short set of six songs, all of his own composition (with a little help from family and friends). He started with the lovely Breathe Easy then moved on to his specially commissioned song that was featured on the Virgin Mobile Making Australia Better Campaign. It is appropriately entitled Answer The Call.

Another song The Dharawal addresses indigenous issues, relating as does to a little known historical event, that being the massacre of the Dharawal people in 1816.

After a short interval the star act took the stage. The Milk Carton Kids are a rare act. They perform unplugged and unamplified, with just one microphone between them. There are no flashy light shows, just a single spot and an unadorned setting.

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The Milk Carton Kids at the Athenaeum 30/6/15

They launched their show with the Haruki Murakami inspired Secrets of the Stars, the fourth track on their new record Monterey, which is an exquisite and quietly understated work of genius.

Three more songs from the album followed in quick succession, Asheville Skies, Getaway and The City of Our Lady, after which Joey Ryan paused for the first of his dry and amusing dissertations which had the audience in stitches. He remarked that with four songs played they were half way through the show, only kidding of course.

The title track of their previous CD The Ash & Clay was next to be performed, followed by the title track of Monterey. In their 13 song set the songs were mostly drawn from those two albums, with Michigan being the only song from an earlier recording, Prologue in fact.

Interspersed with the songs Joey & Kenneth entertained the crowd with gentle banter. Australia’s Prime Minister got a not very complimentary mention, the audience endorsing this view emphatically. Joey mused that perhaps people who came to their shows were of a leftist bent.

There was also a running joke about whether there were any children in the audience, which started when Joey apologised for the tone of language used at the time – a few rude words is all I recall hearing  - and wondered if there were children present. Some dag at the back with a deep male voice yelled “Yes!” which caused great hilarity and even broke down Joey’s deadpan cool.

During the musical moments a hushed quiet is de rigueur to appreciate the MCK’s act. They play their old 1950s guitars softly and harmonise in quiet voices, but the effect is mesmerising and enthralling - you can hear all the words and distinguish the two voices and the guitars. Kenneth Pattengale’s  playing is wonderfully ornate and complicated and he received much applause for his mastery of the instrument.

The Milk Carton Kids is a high quality act of unusual beauty and surprisingly hilarious. They combine sublime melodies with enchanting harmonised vocals and deep lyrics. They are up there with the likes of Emmylou Harris and Rodney Crowell, Gillian Welch and the other giants of American folk music.

SET LISTS

Timothy James Bowen Set List

  1. Breathe Easy
  2. Answer The Call
  3. After Wintertime
  4. The Dharawal
  5. Whatever Makes You Happy
  6. Love Is Loving You

The Milk Carton Kids Set List

  1. Secrets of the Stars
  2. Asheville Skies
  3. Getaway
  4. City of Our Lady
  5. The Ash & Clay
  6. Monterey
  7. Honey. Honey
  8. Shooting Shadows
  9. Hope of a Lifetime
  10. I Still Want A Little More
  11. Snake Eyes
  12. Michigan
  13. Heaven

Encore

  1. New York
  2. Memphis

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Photo of MCK set list

Sunday, June 14, 2015

Winter Cheer–Cats, Books & Music

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Talya – the blue princess

It has been a while since I last posted about the cats and their political stance. Lucky for them they are unaware of the truly awful Government ruling Australia at present and the general state of the world. No doubt, if they knew, they would think it only their due, that cats are the most popular topic on the Internet.

In their cat world all they care about is keeping warm, filling their bellies and maintaining their cool in the presence of other cats.  This of course involves the services of their human slaves as providers of food and warming pads.

Since winter has drawn in, Willy has taken to spending more time inside and has insisted on using my lap as his resting place. He’s a real burden, a heavy, though warm encumbrance, that certainly limits a person’s movements.  If you have cats, you’ll know how they suck you in. You put up with incredible inconvenience so as not to hurt their feelings and even apologise if you have to inconvenience them.

Willy is a smart cat and has us trained to lift him off the fence when he can’t be bothered getting down by himself. He sits on the pergola outside the kitchen door and miaows. When we answer the “distress” call we have to walk out into the back yard and wait by the fence, while he clambers over the roof, onto the shed roof, then onto the water tank, then the fence, whereupon he stands in a handy lifting down position, so we can get purchase under his belly and remove him from the fence.

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Willy, looking for a lap to sit on.

I had the bright idea of buying him a cat bed as a substitute for my lap and found one that is self warming.  It has a space blanket layer that interacts with the cat’s body heat to create a snug nest, retaining the cat’s heat and warming the bed.  B thought I was mad to get it and doubted if the cats would take to it.

It arrived the other day and has been tried out by both cats, but Talya has now commandeered it for daytime use on the front verandah, and alas Willy still prefers my knee.

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Talya in the self warming cat bed

The political situation between the cats is much the same; they still don’t like each other much, but don’t fight. They engage in stand offs where one cat will sit in the doorway to impede the exit or entry of the other cat. “Ooh, I don’t want to walk too close, he/she might jump me” you see them think.

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Cat stand off – Talya is blocking Willy’s access to the door outside.

Monty the cat next door is always in our back garden, but the resident cats avoid him if possible. He’s super friendly, so it’s hard to shoo him away.

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Monty – he doesn’t look too friendly here, but it’s an interesting pose.

My last post was about the problem with posting from Windows Live Writer to Blogger. This had something to do with Google+ security settings, which had not been taken into account by Microsoft. There was an outpouring of protest on both the Blogger forum and the Microsoft Live forum to such an extent that Microsoft and Google cooperated in working out a fix.

Let’s hope Microsoft will continue to support Live Writer as it’s the best blogging software there is. Creating posts in Blogger is a real pain it’s so clunky and user unfriendly.

all-the-light-we-cannot-see-9781476746586_hrAs usual I’ve been reading a lot of books, and lately have read some really excellent novels, one of them being All The Light We Cannot See by Anthony Doerr which recently won the Pulitzer Prize.  It’s an outstanding novel set in the second world war, about a German whiz kid boy Werner, and Marie Laure, a blind French girl. the narration alternating between the two as they grow up in those turbulent times and inexorably meet.  Everything written about this novel is true. Highly recommended!

A-God-in-RuinsI also really enjoyed Kate Atkinson’s latest novel A God In Ruins, a companion piece to her previous novel Life After Life.  It follows the life of Ursula Todd’s beloved younger brother Teddy as he grows up to become a bomber pilot in the second world war, and his life after the war.  Ursula Todd was the heroine of Life After Life and makes several appearances in A God In Ruins.  I also highly recommend this book. It’s moving and very funny at times.

sevenevesI’m currently reading Neal Stephenson’s Seveneves, his latest, which happens to be a disaster novel. In the first paragraph Earth’s moon explodes and sets the scene for what happens next. I’m barely a quarter of the way through the 800+ pages, but am gripped in the drama of setting up an ark of human heritage in space as the total destruction of  planet Earth draws closer.

I ordered my copy of the book from Barnes & Noble and it’s signed by Neal Stephenson, which is a big thrill as I doubt he’ll ever come to Australia.

sistersConcurrently on my Kindle, when commuting,
I’m reading a collection of short stories called Sisters of the Revolution. I supported a Kickstarter for this collection of speculative feminist fiction by women writers, and received both a physical and digital copy of it.

The stories are all interesting and diverse in subject matter.

The edition has a forward by my friends Jeff and Ann VanderMeer. Jeff won this year’s Nebula Award for his novel Annihilation, the first book in his Southern Reach trilogy. They are very strange novels, dark surrealist fiction. Annihilation is possibly going to be made into a film by Alex Garland (Ex Machina & Never Let Me Go). I have read the trilogy, but must admit found them a bit of a chore.  I’m so over weird fiction, hated all the characters and couldn’t care less what happened to them. I agree with David Mitchell, that characters have to be likeable to sustain the readers interest and sympathy – mine anyway.

On the music scene. I'm looking forward to seeing Emmylou Harris and Rodney Crowell at the Palais Theatre, St Kilda in a week or so. I ordered their new CD The Travelling Kind from Nonesuch Records, mainly because they were offering a limited edition autographed print with the CD. Another thing to be thrilled about – Emmylou and Rodney autographs, something unattainable in person for me.

travellin kind

Five days after the Emmylou & Rodney concert I’m going to see The Milk Carton Kids at the Athenaeum Theatre. I was really impressed with them when they toured here a couple of years ago, so look forward to their show. And in July my favourite singer-songwriter Ryan Adams is performing two shows at the Forum Theatre.

So despite winter’s chill, there are several reasons to be cheerful.

Friday, June 07, 2013

Funny, Quirky, Endearing – The Milk Carton Kids at Thornbury Theatre

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The Milk Carton Kids live at Thornbury Theatre 6 June 2013

A month ago I had never heard of the Milk Carton Kids, and even when I received a newsletter from Love Police about their Australian Tour, I paid scant attention. Then I read a review of their latest CD, The Ash & Clay, on No Depression and my interest was piqued to the point that I checked them out. I liked what I heard  on their website, and taking advantage of the free download of their first two albums, listened some more, and subsequently became addicted to their music.

The Milk Carton Kids are Joey Ryan and Kenneth Pattengale, who through some freakish chance have an extraordinary musical symbiosis. They each had low key solo careers before they met, both being folk singer songwriters who had largely gone unnoticed. Since teaming up in 2011, their star has risen to such an extent that their shows in the USA are sold out as soon as they go on sale.

Musically, they are an interesting blend of Simon & Garfunkel/Everly Brothers and Gillian Welch. Their voices sound as if they were made for each other, blending so beautifully that they sound like one voice. They play ancient guitars; Joey’s is a 1951 Gibson J45, and Kenneth's is a 1954 Martin 0-15, and complement each other’s playing, Kenneth being the more ornate guitarist of the two, sounding very like David Rawlings, which is no bad thing. Despite the comparisons these guys manage to create a totally individual sound if you listen long enough.

So, after playing their CDs (including The Ash & Clay, which I purchased) obsessively for the last two weeks, I was well prepared and very much anticipating their appearance at the Thornbury Theatre.

I was not disappointed. In fact I was enraptured by the duo and very much charmed and amused by their performance. For The Milk Carton Kids, as well as being beguiling musically, are very funny as well. People were practically rolling in the aisles with laughter at Joey Ryan’s wonderful dead pan humour, to which he treated us between songs.

I never thought I would get to hear to a dissertation on the origins of the ampersand at a concert!

The opening act was special as well. Young singer songwriter Melody Pool performed a moving set of her own compositions, the highlight being Henry, a gut wrenching heartbreaker of a song. Melody, true to her name, has a very affecting voice, kind of like Joni Mitchell, but more powerful and emotionally expressive.  It was the first time I had seen or, indeed, heard her play and I was impressed.

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Melody Pool live at Thornbury Theatre 6 June 2013

Check out this You Tube of her performing Henry and see/hear for yourself.

The Milk Carton Kids were scheduled to play at 9.30pm, but they caught everyone by surprise, ambling onto the stage a quarter hour early. They opened with the first track on The Ash & Clay, Hope Of A Lifetime, which, typical of all their songs, has a lovely melody that enhances the gloriousness of their harmonies.

Joey introduced the title track, which they played next, making sure we were all aware that the ampersand inserted between ‘Ash’ and ‘Clay’ was intentional and not a lazy way of writing.  And also no doubt, because he could introduce his musings on typography and grammar into his on-stage patter. He continued this theme with the next song Honey, Honey with its use of a comma between the two Honey’s.

He played a wonderful trick on the audience when introducing Kenneth’s song Charlie which is about a future daughter. I won’t spoil the joke here, as it probably has to be heard first time to be really appreciated.

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By this time the duo had the audience in total thrall. For a so called minimalist act, they were marvellously engaging, quirky and endearing.

There was a reasonable crowd in attendance, so I was glad I had booked  reserved seating which had us sitting towards the front.  I took my Panasonic micro four thirds camera with me, intending to try out a new lens I had recently purchased for it. As you can see it worked a treat.

There were other photographers creeping around the front of the stage, with enormous lenses. You know the type, they crouch directly beneath the artists and aim their cameras nostril wise. Joey Ryan dispatched them in a clever witty manner, informing them that the scene was not going to change anytime during the concert, as he and Kenneth would remain in the same positions all evening.

And so they did, the odd pair. Joey is the tall skinny guy on the left. He hardly moves, whereas Kenneth on the right, gyrates as he plays his guitar.

It was a fantastic concert, a real surprise and I’m sure all who were present would count themselves as die hard fans of The Milk Carton Kids from now on.  I admit that they are a thrilling new musical discovery for me.

If you get a chance, go and see them; you won’t be disappointed. Or if that’s impossible check them out on their website, where you can still download their first two albums for free, and watch videos of various songs. I recommend the Tiny Desk Concert.

Set List

  1. Hope of A Lifetime
  2. The Ash & Clay
  3. Honey, Honey
  4. Years Gone By
  5. Charlie
  6. Maybe It’s Time
  7. Girls Gather Around
  8. Snake Eyes
  9. Heaven
  10. Michigan
  11. Stealing Romance
  12. I Still Want A Little More

Encore

  1. New York
  2. Memphis