Welcome 2018

B Kliban – Tree Party Hangover

World War III failed to eventuate in 2017, for which we can be thankful, but the odds of it happening in 2018 are much shorter, with Trump and Kim Jong Un causing Global anxiety with their belligerant exchanges of views.

Hopefully, sanity will prevail with 2018 featuring more good news than bad news. With any luck Trump will be impeached, Kim Jong Un will be overthrown, and peace will prevail.

2017 was an eventful year for the Cat Politics domicile, particulary the big move to another suburb and the raising of a new feline companion to fill the gap left by Willy’s death on Boxing Day 2016.

The feline in question is sitting on my knee as I write this post and is being good for change.

Cats – Talya in the cat bed with Bingo outside

Talya appears to have recovered from her stomach ailment, as she has not inappropriately voided her bowels inside for several weeks.  She has however abandoned her blanket on the chair and readopted the cat bed. I must say that the cat bed purchased in 2015 has been a great success as cats seem to love this particular model.

We had Christmas lunch at my brother’s place and I got to meet my new great niece Florence for the first time.

A baby photo! Florence in elf hat

She’s another Leo born into the family. That makes five of us in all.  My youngest nephew became a father this year in November with the birth of baby Tex.  I haven’t seen the nephew for several years as he lives and works in Queensland.

One of the joys of New Year’s Day is putting up a new calendar. I buy a calendar every year and have a huge collection (though I culled it before we moved) of calendars dating back to the 1970s.

This year I purchased the Mimi Vang Olsen cat calendar, which has 12 delightful portraits of cats.

We had a quiet New Year’s Eve as usual and went to bed early, though were awoken briefly by the bang of fireworks nearby around midnight. 

I’ve started the New Year with a head cold, awaking with it yesterday morning. Who knows how I caught it, but it’s not that bad so far and my nose seems to have stopped dribbling.

There are a few things I’m looking forward to in 2018 - a Jason Isbell concert in late March, and seeing New York writer and wit, Fran Lebowizt, earlier the same month at the Athenaeum Theatre. I have an ancient copy of her first book, Metropolitan Life, which I enjoyed reading at the time, though it’s a bit dated now.

There are not many books I’m eagerly awaiting in 2018, other than the new Kate Atkinson novel Transcription, and William Gibson is purported to have the follow up to The Peripheral, called Agency out this year as well. No doubt there will be other books that will catch my fancy as the year progresses.

And - I didn’t think I would be writing this again - the 25th Anniversary Edition of John Crowley’s Little, Big, now awaited for 12 years, will hopefully be published this year. It was supposed to come out last year, and must be close to being sent to the printers, according to the latest news on the Little, Big website.  God, I hope it arrives before I die!

Anyway on this first day of a brand new year I’m mostly optimistic that we will all survive to live a few more.

PS The phone and Internet are now working after a technician came and fixed the wiring in the street just after Christmas.

March Music–Jason Isbell & Eilen Jewell

Jason Isbell at Melbourne Recital Centre – 29/3/16

Jason Isbell has been hailed as the saviour of country music by various music critics, though he denies it. His latest record, Something More Than Free won a Grammy for Best Americana Album, and he won Best American Roots Song for 24 Frames, one of the notable tracks on the album.

He is undoubtedly one of the best songwriters around, so it was with keen anticipation that I went to his concert at the acoustically excellent Elisabeth Murdoch Hall in the Melbourne Recital Centre at Southbank.

Everything claimed about the acoustics in Elisabeth Murdoch Hall is true. I’ve never heard such purity and clarity of sound in a venue before. It certainly beats venues like Northcote Social Club hands down, which was where I last saw Jason Isbell perform live.

Eilen Jewell and her band opened for Jason Isbell  and played an engaging half hour set that sweetened the audience beautifully for the rest of the night.

Eilen Jewell at Melbourne Recital Centre – 29/3/16

Jason Isbell was accompanied by his excellent band The 400 Unit who comprise Sadler Vaden on guitar, Jimbo Hart on bass, Derry DeBorja on keyboards and Chad Gamble on drums.

A powerful performer, Jason Isbell and the 400 Unit wowed the crowd with a stunning set of songs drawn from his repertoire, encompassing Something More Than Free, Southeastern and his back catalogue, including songs he wrote for the Drive By Truckers.

At the end of his show he was accorded a standing ovation, a courtesy Melbourne audiences seem more prone to doing these days.

Jason Isbell Setlist

1. Stockholm
2. Decoration Day
3. Alabama Pines
4. Something More Than Free
5. Travelling Alone
6. Never Gonna Change
7. Cover Me Up
8. Relatively Easy
9. 24 Frames
10. The Life You Chose
11. Speed Trap Town
12. Different Days
13. If It Takes a Lifetime

Encore:

1. Elephant
2. Codeine

The night after the Jason Isbell concert I went to see Eilen Jewell  doing a headline show at Thornbury Theatre on the 30th March. 

Eilen  Jewell is a real gem of an artist – witty, sparkling - and has a great voice – sultry and sweet. She also writes great songs; on the dark side of the spectrum generally, which belies her innocent looks.

Eilen Jewell at Thornbury Theatre 30/3/16

She opened her set with two songs from her latest excellent album Sundown Over Ghost Town – Worried Mind and Hallelujah Band, then harked back to her 2009 record, Sea of Tears, with Rain Roll In.

Supported as usual by her fabulous band which features Jerry Miller on electric guitar, Johnny Sciascia on upright bass and Jason Beek (her husband) on drums and backing vocals – “singing and drumming” as Eilen puts it.

Jerry Miller & Jason Beek – Thornbury Theatre 30/3/16

Johnny Sciascia – Thornbury Theatre 30/3/16

Eilen and band gave generously of their time playing for over two hours, which encompassed 22 songs all up.

Since last touring Australia, Eilen Jewell has given birth to a baby daughter named Mavis. Her last song of the night is ostensibly about her, and appropriately titled Songbird. “Mavis” is an old fashioned name for a songbird.

It was a great pleasure to watch Eilen and her band in the civilised and comfortable surrounds of the grand Thornbury Theatre,  after  previously seeing her perform two concerts on the sticky carpets at Brunswick Music Club and the Corner Hotel.

Eilen Jewell Set List

1. Worried Mind
2. Hallelujah Band
3. Rain Roll In
4. Where They Never Say Your Name
5. Heartache Boulevard
6. High Shelf Booze
7. Here with Me
8. Bang, Bang, Bang
9. Rio Grande
10. Santa Fe
11. Rich Man’s World
12. Dusty Boxcar Walls
13. Needle and Thread
14. Mess Around
15. Drop Down Daddy
16. Fist City
17. Warning Signs
18. Sea of Tears
19. I Remember You
20. Queen of the Minor Key
21. If You Catch Me Stealing

Encore

1. Songbird

Black Hearts, Easter Bunnies & Buffering

Black Heart Bart – Caulfield 26/3/16

My Saturday afternoon plans were disrupted, so I arrived much later at Caulfield than I had anticipated. This was due to the unexpected visit from an old friend whom I had not seen for about 15 years. We go back a long way, to when we were both eight or nine at boarding school in Mansfield. We reconnected in 2001, and have mostly kept in touch with Christmas greetings every year.

I really could not, nor did I wish to, curtail her visit, so I got to Caulfield an hour later than planned, totally missing Petits Filous race, which she won fairly easily. She had already left the course when I arrived, so I failed to even get a photo of her.

However, I was compensated by seeing former West Australian Black Heart Bart winning Race 7, the Group 3 Victoria Handicap.

He’s pretty boy with an almost white heart marking on his forehead.

Black Heart Bart in the mounting yard

Caulfield Racecourse was all abuzz with Easter cheer, and very noisy, what with a covers band, and some kind of children’s entertainment competing for attention with the usual racing broadcasts. Kids were everywhere and there was a fair crowd in attendance. There was also an easter egg hunt for the kids and for adults, which I was not in the least interested in contesting.

I only stayed for two races and also took the opportunity to watch the two Group 1 races in Sydney on the big screen.

As Jameka was scratched from the Vinery Stud Stakes, it was a wide open affair and was won by 30/1 shot Side Gaze, with NZ filly Valley Girl running second and Happy Hannah, who only got into the field because Jameka was scratched, running third.

Preferment won the BMW from stablemates Who Shot Thebarman and Grand Marshall, another Group 1 trifecta for the Chris Waller stable.

Anyway, back to Caulfield and race 6, which was the Catanach Jewellers Handicap, a race over 1800 metres.

The amusingly named Ungrateful Ellen started as favourite and beat Mildura Cup winner Gingerboy by a short margin. Himalaya Dream was third.

Ungrateful Ellen in the pre parade ring

Gingerboy in the pre parade ring

Himalaya Dream on his way to the barriers

Race 6 down the straight – Himalaya Dream leads with Gingerboy & Ungrateful Ellen about to overtake him

As previously mentioned, Black Heart Bart won race 7, the Victoria Handicap carrying top weight. He beat home Charmed Harmony who set the pace and Eclair Choice.

Charmed Harmony in the mounting yard

Eclair Choice in the mounting yard

Black Heart Bart in the winners rug posing for photos

Before heading home, I checked out the stalls area to see if Last Typhoon (Typhoon Tracy’s only foal) had arrived. He was there, with a group of women admiring him. I assume one or other of them was his owner. They got the strapper to bring him out for a pat, which of course I took advantage of myself. He’s a friendly young horse, obviously sweet natured. He was then taken off for a walk, which where I snapped the following photo.

Last Typhoon in the walking ring

He had no luck in his race and finished a distant 12th.

On Saturday night, tough old Australian sprinter Buffering won the Al Quoz Sprint from a top class field. He’s now 8 years old, but appears to be getting even better with age. He’s one of the last sprinters still around who raced against Black Caviar in her heyday.

And on Thursday night at Moonee Valley, Peter Moody ended his training career on a high note, when Flamberge won the Group 1 William Reid Stakes, by a nose from Holler, with Japonisme running third closely behind.

It will be strange not seeing Peter Moody at the track as he’s always been there every time I’ve attended. He’s a top bloke and deserves his place in racing history for the way he handled the great Black Caviar’s career.

Racing in Melbourne is pretty uninteresting from now on, so I doubt I’ll attend many races until the spring. I’ll miss my Saturday afternoons at the track, but no doubt will find other things to blog about.

For a start, I have two concerts to attend this week, the first Jason Isbell tomorrow night at the Melbourne Recital Centre, and the lovely Eilen Jewell will be playing at Thornbury Theatre on Wednesday.

I was going to see Frazey Ford at Caravan Music Club on Friday, but the person I was going with cannot attend, so I’m giving it a miss.

Music & The Machine–An Enchanting Evening

Dave Rawlings Machine – photo from ABC RN Facebook

This is the first opportunity I have had to post about the Dave Rawlings Machine concert at the Palais last Friday night.

Seeing the Gillian Welch / Dave Rawlings duo a fortnight ago, certainly didn’t jade the pallet for more divine music from the pair.

We had better seats this time, four rows from the front, so even though, disappointingly, photos were not permitted, it didn’t in any way detract from the pleasure of the night’s entertainment.

It was quite a different set up and sound. The added accompaniments of Willie Watson on violin, banjo and guitar, Brittany Haas on violin and Paul Kowert on double bass delivered a deeper and richer sonic landscape; quite bluegrassy in fact.

In the Dave Rawlings Machine, David Rawlings assumes lead vocals, while Gillian Welch sings background harmonies and plays her rhythm guitar, though she did sing a couple of songs as lead. Gillian’s voice is warm and honey coloured and stands out even when several male vocalists are singing harmonies.

Willie Watson added his distinctive voice to many of the songs and was lead vocalist on Stewball, a traditional ditty about a racehorse He was formerly a member of Old Crow Medicine Show, so I’ve seen him before performing with them. And Paul Kowerts also took the lead on the gospel inspired He Will Set Your Fields On Fire.

As was the case in the Gillian Welch concert, there was an intermission of approximately 30 minutes half way through the show, where the band goes off to do mysterious things (David Rawlings words) and the audience does likewise.

However, we didn’t go next door to Luna Park and ride on the Scenic Railway as the band purportedly did and cheerfully admitted when they returned on stage for the second set.

Gillian Welch and David Rawlings have been driving to all their Australian concerts, crossing the Nullabor early in their tour, performing shows at Perth and Adelaide, then Sydney, Canberra, Bangalow and Melbourne. They have an aversion to flying, which explains why it took them 11 years to return.

Both the Gillian Welch and Dave Rawlings Machine shows were wonderful in diverse ways, so I’m glad I seized the opportunity to see them this time around. I doubt if they’ll be back this way anytime soon.

Setlist (from Setlist.fm)

1. The Weekend

2. Bodysnatchers

3. Pilgrim (You Can't Go Home)

4. Wayside/Back in Time

5. To Be Young (Is to Be Sad, Is to Be High) (Ryan Adams cover)

6. Bells of Harlem

7. Keep It Clean (Charley Jordan cover)

8. The Trip

9. It's Too Easy

Intermission

10. Ruby

11. The Last Pharaoh

12. He Will Set Your Fields on Fire (Bill Monroe cover)

13. Sweet Tooth

14. I Hear Them All / This Land Is Your Land (Woody Guthrie cover)

15. Stewball ([traditional] cover)

16. Short Haired Woman Blues

17. Queen Jane Approximately (Bob Dylan cover)

Encore 1:

18. Look at Miss Ohio (Gillian Welch cover)

19. Method Acting / Cortez the Killer

Encore 2:

20. The Weight (The Band cover)

21. Didn't Leave Nobody But the Baby ([traditional] cover)

****************************************

Music Festival time is only a few weeks off, when music lovers in Australia are spoilt for choice.

I’ve got tickets to five upcoming shows in March, April and June.

I’m looking forward to seeing Jason Isbell at Melbourne Recital Centre on 29 March. His opening act is non other than the delightful Eilen Jewell, whom I’m catching again the following night in a headline show at Thornbury Theatre.

On April Fool’s Day Frazey Ford (of The Be Good Tanyas fame) is at Caravan Music Club, and local singer writers Liz Stringer and Suzannah Espie are performing there together on 21 April.

And in June I’m seeing John Mellencamp at Rod Laver Arena, courtesy of a Ticketek Gift Voucher from Nu Country.

Happy New Year 2016

First cat photo of 2016 – Talya on my computer chair 2/1/16

Talya hates having her photo taken. When you point a camera at her she invariably starts washing herself and ignores all cajolements to cooperate. So I had to be fast to get the above shot and catch her mid wash.

I spent New Year’s eve watching episodes of Wolf Hall, the highly regarded BBC TV Series based on Hilary Mantel’s novel of the same name and its sequel Bring Up The Bodies.  I was given the DVD for Christmas and was pleased to receive it as I’d given it as a present to two friends, and hadn’t bothered to acquire a copy for myself.

It certainly lived up to the critical praise that has been heaped on it.

In a word, it is stunning: the costumes, sets, and acting were all first class. The attention to detail as regards the period setting (1500 to 1535) during the time of Henry VIII is commendable. Nothing jarred as anachronous, the lighting being predominantly candlelit and sombre, setting the mood of the times.

Mark Rylance as Thomas Cromwell is superb, as is Claire Foy as Anne Boleyn and the support cast are spot on character wise.

I thought the screen version of Jonathan Strange and Mr Norrell was excellent and one of the best I’ve seen. Wolf Hall is just as good.

Hopefully the long awaited third and final book of Hilary Mantel’s take on the life of Thomas Cromwell will be published this year.

So far, reading the lists of books expected to be published in 2016 have left me disappointed, with nothing much taking my fancy, and books by my favourite living authors being in the main missing from the lists.

However, dare I hope that the 10 year wait for the 25th Anniversary edition of John Crowley’s Little, Big will be over this year. Every year since I subscribed to the edition I’ve been hopeful of seeing it finally published. This year may be the one where I will finally hold it in my hands. The latest Newsletter on the edition envisages the book going to press in March 2016, May 2016 at the latest.

I have several musical treats in store early in 2016 – Gillian Welch and David Rawlings being the most highly anticipated. That’s in February.

In late March I’ve booked for a Jason Isbell concert at Melbourne Recital Centre. It’s a fabulous venue, so it will be a treat to see him there, after putting up with a stand up show at a pub venue the last time.

Eilen Jewell and her band are also expected to be touring in March  2016. Hopefully she will also play at a decent venue like Thornbury Theatre or Memo Music Hall or even the Recital Centre.

There’s only a little over a month to go before the first Group 1 of the Autumn Racing season is scheduled.

I’ve been missing going to the races, so yesterday I attended a low key meeting at Moonee Valley. The main attraction was the promising three year old filly Love Days having her third start. She’d won her first two in dominant fashion, so there was something of a hype surrounding her. I’m chary of  hyped youngsters these days as they eventually disappoint, but just in case they are the new Black Caviar, I’m always interested in seeing them in the flesh.

Love Days at Moonee Valley 2/1/16

It was pleasant being back at the track with all the pretty horses, but certainly not a day for successful punting. I had one bet on Orion in Race 2 shortly after I reached the track, but he missed out on a place, so I eschewed wasting my money on anything after that.

The majority of winners over the afternoon were long shot outsiders, and that also proved the case when Race 5, the Gold Carat was run.

Love Days was the hot favourite, but she had a torrid run, three wide for most of the race, and a clever ride by top jockey Damian Oliver resulted in 20/1 shot Rocky Boombao winning the race, lowering the colours of Love Days who couldn’t catch him and finished second.

Rocky Boombao steals a lead in the Gold Carat.

Rocky Boombao returns to scale

The most interesting race of the day was the Perth Cup at Ascot and it was won by the wonderful staying mare *Delicacy who started as the  top weight, carrying 59kg. She defied history with her win, being the first mare to win the race at that weight. She certainly has delivered on her promise of the 2015 Autumn where she won two Derbys and two Oaks and was awarded Australian Champion Three Year Old Filly of 2015.

There’s a possibility that she might contest the Australian Cup at Flemington in March. I hope so, as I’d love to see her in the flesh.

With that I wish everyone a rewarding and interesting 2016 as I hope for myself.

* Delicacy unfortunately sustained a tendon injury in the Perth Cup and has been retired. It’s a disappointing but a commendable decision by her owner. However, the consolation prize is that her younger stable mate Perfect Reflection who defeated Delicacy in the Kingston Town Classic will possibly be contesting the Australian Guineas in March at Flemington.

Super Saturday – Melbourne Racing Autumn Carnival Finale

Fiorente contests the Group 1 Australian Cup this weekend

It’s not really the finale of Group 1 racing in Melbourne, as the Group 1 William Reid Stakes will be run on 21 March, but Flemington’s autumn carnival of racing culminates on Saturday.

Three Group 1 races are on the cards this weekend, two at Flemington and one at Warwick Farm in Sydney.  The Australian Cup and the Newmarket Handicap feature in Melbourne, and both have attracted really top notch fields and mouth watering competitions between the top runners.

In the Newmarket Handicap, a sprint over 1200 metres, we have class sprinters like Moment of Change, Samaready,  Shamexpress Lankan Rupee and Knoydart, so how do you choose between them? I’d really like Samaready to win and she does have a good chance to do so at her favoured distance of 1200 metres. Can Moment of Change keep his Group 1 winning streak intact? And who can beat Lankan Rupee, currently in top form and the winner of his last four starts. Shamexpress won the Newmarket last year as a three year old, but carries considerably more weight this year. He ran a close second to Snitzerland in the Black Caviar Lightning Stakes at his last outing and she is not running on this occasion.

The Australian Cup has the very classy Fiorente, who won the Peter Young Stakes first up a fortnight ago, up against new gun Shamus Award, who proved his class last week in the Australian Guineas.  Shamus Award has a weight advantage (54.5kg vs 59kg) and if he can assume and maintain the lead will be very hard to catch. He defeated Fiorente in the Cox Plate last year, doing just that. I doubt that he will be able to get away with it on Saturday, the other jockeys now being aware of his winning tactics.  However, fellow three year old Thunder Fantasy also backing up in this, could be a good chance also, not being all that far away in his last few races. Last year, three year olds Fiveandahalfstar and Super Cool fought out the finish with Super Cool  proving the victor on that occasion

One runner that interests me is Voleuse de Coeurs, the Irish mare who came over here for the Melbourne Cup and was bought by Australian interests to continue racing here. She won the Irish St Leger by 6 lengths, a month or so before she arrived on these shores. She’s obviously an excellent staying mare, so I’m really keen to see how she goes in the Australian Cup. As it’s run over 2000 metres, it might be a bit short for her as her wins have all been over 2600 metres.

The support card at Flemington boasts three Group 2, and two Group 3 races as well as the features, so it’s quality racing all round, though I’m not going to preview any of them here. And as mentioned previously, Living Legends Efficient and Zipping will be parading throughout the afternoon.

In Sydney at Warwick Farm, It’s A Dundeel will be kicking off his autumn campaign in the Group 1 Chipping Norton Stakes, a race over 1600 metres.  A small field of  8 runners will be competing for the prize, and include Boban who has been a tad disappointing so far this season, his stable mates Hawkspur and Moriarty and Gai Waterhouse trained three year old Order of the Sun. I’ll be cheering for the super little stallion It’s A Dundeel.

The support card at Warwick Farm is just as good, if not better than that in Melbourne, though it seems the races will be run on a slow to heavy track, after a big storm passed through Sydney the other day and showers are expected to continue into the weekend. 

The Group 3 Wiggle Stakes is one race I will endeavour to watch from Flemington.  It has my favourite mare Catkins up against Dear Demi who is resuming after a break. Catkins can handle heavy tracks and already has one win under her belt since resuming. Dear Demi  has won on heavy going, but she has never won first up.  Others in with a chance are Miss Stellabelle, Fire Up Fifi and She’s Clean

Melbourne weather continues fine, so the track at Flemington will be good.

As this is the last race meeting I will be attending for a while, I’ll try and vary my blog posts a little from now on. It’s Music Festival season, and even if I am not attending either the Port Fairy or Brunswick Music Festivals, I do have some live musical treats coming my way.

Next Wednesday I’m really looking forward to seeing Americana artist Pokey LaFarge who plays my kind of music – country blues, western swing – in his own unique style. He’s on at The Corner Hotel.

And at the end of March I have a ticket to the Rolling Stones at Rod Laver Arena. I last saw the Stones back in 1995 at the MCG on their Voodoo Lounge tour. The Rolling Stones have always been my favourite rock ‘n roll band, and even if they are somewhat elderly these days, I’m sure they’ll still pack a punch. I have a pretty good seat in the lower tier and hope to get photos of Mick & Keef et al in action.

In April I’m off to see Tift Merritt and Jason Isbell at the Northcote Social Club. Should be a great show. I’ve seen Jason Isbell twice before, but this is Tift Merritt’s first Australian tour.

Ryan Adams at the Regent Theatre

You wouldn’t think that one man with two guitars, a collection of harmonicas and  a piano, could keep a full house theatre quiet and spellbound for two hours, but last night Ryan Adams did just that.

It was a quite wonderful concert, beautiful and amazing and damn near perfect as concerts go.

Photos were not permitted, so I have had to use the promo photo to illustrate this post. Prior to the start of Ryan’s set, a voice with a strong Scottish accent, rather amusingly, threatened hellfire and damnation to any who even thought to record, photograph or in anyway disrupt the show with annoying devices. 

And thus it was that the capacity audience at the beautiful Regent Theatre was prepared for a night of superlative music. And it delivered in spades

But first I must mention the opening set of Jason Isbell.  I have had the good fortune to see him perform previously when he opened for Justin Townes Earle several years ago, so I knew we in for a quality sweetener. He opened with Tour of Duty, a powerful song about a soldier returning from a final tour of duty, and his vain hopes for the normalcy of civilian life, then followed that with Going It Alone before harking back to his days with the Drive By Truckers and singing his version of one of their hits Danko/Manuel.  Goddamn Lonely Love was the standout on his set list, as was his cover of Richard Thompson’s  Keep Your Distance.  His song about his father, Outfit was later the basis for a joke in one of Ryan Adams lighter moments.  Jason however, is a dynamic performer himself and a scintillating songwriter, so his set, of eight songs in all, was much appreciated by the early arrivals. The rest didn’t know what they were missing.

Jason’s set kicked off at 8.00 pm and lasted approximately 30 minutes, after which there was a short break, so the audience could go off and grab a drink at the bar etc. Alcohol was forbidden in the auditorium.

So it was about 9.00 pm when Ryan Adams stepped onto the stage to a rousing welcome. The first song of 26, was the beautiful Oh My Sweet Carolina, a perfect opener to set the mood for the rest of the show. This was followed by Ashes & Fire, the title track on his latest album, which has been widely acclaimed as a return to form by the mercurial songwriter.

Much to my delight If I am A Stranger was next. In fact the entire set list was a wonderful selection of favourite songs. Highlights for me were Rescue Blues – an awesome version - as some member of the audience called out to which Ryan quipped “Thanks Dad”, Sylvia Plath, a song I love for it’s amazing lyrics, Firecracker, The Hardest Part and the perennial favourite Come Pick Me Up, but truth to tell it was hard to single out any particular song, they were all fantastic. And I really loved Ryan’s tribute to his pussycat, an amusing and perfectly executed ditty called Mr Cat. It had the audience in stitches.

Yes, Ryan Adams was very funny when he wasn’t being serious, and he does take his music very seriously indeed, even if he deprecates it half jokingly.

What was remarkable about seeing Ryan Adams perform solo, was that he can carry a show by himself with ease and grace. The fact that he is a supremely gifted songwriter, singer and musician is made patent in this context. With just Ryan, his guitar and beautiful expressive voice, the songs glow with new meaning and you are entranced by his artistic genius.

More on the voice – Ryan Adams voice has to be one of the best voices in contemporary music. He can sing anything and give the songs he sings depth and meaning. His voice cuts you to the heart, seduces you with its sincerity, and astounds you with its amazing range. He can go from a whisper to the sweetest croon, to a passionate howl in space of one song, The Hardest Part for instance.

At the end of the main show, which finished with Come Pick Me Up, the audience rose as one to accord the man a standing ovation. This happens very rarely in the shows I have been to, but Ryan certainly deserved all the love and reverence accorded him last night. They rose again after the three song encore as Ryan took a bow for the last time.

It was one of,  dare I say, the best show I have ever had the good fortune to witness, up there or even surpassing Leonard Cohen and Lyle Lovett and all the other great artists I’ve seen live.

Set Lists

Jason Isbell set:
Tour Of Duty
Go It Alone
Danko/Manuel
Alabama Pines
Goddamn Lonely Love
Keep Your Distance [cover]
Outfit
Daisy Mae

Ryan Adams Set:
Oh My Sweet Carolina
Ashes and Fire
If I Am A Stranger
Dirty Rain
My Winding Wheel
The Rescue Blues
Please Do Not Let Me Go
Do I Wait
Firecracker
Everybody Knows
Dear Chicago
Sylvia Plath
Let It Ride
English Girls Approximately
Chains of Love
16 Days
The Hardest Part
Lucky Now
Mr Cat
New York, New York
Two
[improv: "My car is broke and what I'm wearing is an outfit" – apropos Jason Isbell’s song Outfit – very funny]
Come Pick Me Up
Encore:
Holy Diver (Dio cover)
Avenues
When Will You Come Back Home