Showing posts with label William Gibson. Show all posts
Showing posts with label William Gibson. Show all posts

Monday, January 01, 2018

Welcome 2018

new year cats
B Kliban – Tree Party Hangover

World War III failed to eventuate in 2017, for which we can be thankful, but the odds of it happening in 2018 are much shorter, with Trump and Kim Jong Un causing Global anxiety with their belligerant exchanges of views.

Hopefully, sanity will prevail with 2018 featuring more good news than bad news. With any luck Trump will be impeached, Kim Jong Un will be overthrown, and peace will prevail.

2017 was an eventful year for the Cat Politics domicile, particulary the big move to another suburb and the raising of a new feline companion to fill the gap left by Willy’s death on Boxing Day 2016.

The feline in question is sitting on my knee as I write this post and is being good for change.


Cats – Talya in the cat bed with Bingo outside

Talya appears to have recovered from her stomach ailment, as she has not inappropriately voided her bowels inside for several weeks.  She has however abandoned her blanket on the chair and readopted the cat bed. I must say that the cat bed purchased in 2015 has been a great success as cats seem to love this particular model.

We had Christmas lunch at my brother’s place and I got to meet my new great niece Florence for the first time.


A baby photo! Florence in elf hat

She’s another Leo born into the family. That makes five of us in all.  My youngest nephew became a father this year in November with the birth of baby Tex.  I haven’t seen the nephew for several years as he lives and works in Queensland.

One of the joys of New Year’s Day is putting up a new calendar. I buy a calendar every year and have a huge collection (though I culled it before we moved) of calendars dating back to the 1970s.

This year I purchased the Mimi Vang Olsen cat calendar, which has 12 delightful portraits of cats.

mimi vang olsen

We had a quiet New Year’s Eve as usual and went to bed early, though were awoken briefly by the bang of fireworks nearby around midnight. 

I’ve started the New Year with a head cold, awaking with it yesterday morning. Who knows how I caught it, but it’s not that bad so far and my nose seems to have stopped dribbling.

There are a few things I’m looking forward to in 2018 - a Jason Isbell concert in late March, and seeing New York writer and wit, Fran Lebowizt, earlier the same month at the Athenaeum Theatre. I have an ancient copy of her first book, Metropolitan Life, which I enjoyed reading at the time, though it’s a bit dated now.

There are not many books I’m eagerly awaiting in 2018, other than the new Kate Atkinson novel Transcription, and William Gibson is purported to have the follow up to The Peripheral, called Agency out this year as well. No doubt there will be other books that will catch my fancy as the year progresses.

And - I didn’t think I would be writing this again - the 25th Anniversary Edition of John Crowley’s Little, Big, now awaited for 12 years, will hopefully be published this year. It was supposed to come out last year, and must be close to being sent to the printers, according to the latest news on the Little, Big website.  God, I hope it arrives before I die!

Anyway on this first day of a brand new year I’m mostly optimistic that we will all survive to live a few more.

PS The phone and Internet are now working after a technician came and fixed the wiring in the street just after Christmas.

Tuesday, January 06, 2015

Hello 2015 – Cats & Books

willy_car 2

I meant to write a post before the New Year, but somehow time slipped away and I didn’t get around to it.

2014 was a pretty good year for me, only marred by the deaths of two friends, who are still mourned and will live on in my memories. I hope 2015 will not be as stressful in that way, and that my friends, family and pets continue to survive in good health and spirits.

Willy, pictured above, will turn 11 in January and this month will also mark the second year that Talya, the Russian Princess, has been part of the Cat Politics domicile.

The happy cat herbal medicine appears to be working and apart from a fracas yesterday morning the cats seem cool and calm in the main.

talya _verandah 2

The fracas occurred when both cats were sprawled on the bed in close proximity and Willy misinterpreted Talya’s body language as a threat. She was actually sneezing or coughing, but he thought she was hissing at him so he advanced on her personal space and the inevitable happened with much sound and fury on Talya’s part.  She sprang off the bed with Willy in hot pursuit and hid under it, shrieking. I persuaded Willy to back off and eventually, as breakfast was in the offing, Talya emerged as if nothing had happened and the cats milled around my ankles as I dished out their food, all aggro forgotten.

Monty the cat next door has been hanging around in our back garden quite a bit, but both he and Willy appear reluctant to come to blows. If they’re facing off on the fence, Willy allows me to lift him down without any fuss and wanders inside without a backward glance. When I got up the other morning I discovered Monty lounging on the back door step. The resident cats were outside as well, looking on, but not game enough to dislodge him. When he saw me he slunk off, which gave Talya and Willy their chance to pester me for breakfast.

monty 1
Monty lounging on the decking outside the back door

On other matters, this time last year I was anticipating new novels from two of my favourite writers, those being David Mitchell and William Gibson, and I’m pleased to say that neither novel  was a disappointment. In fact The Bone Clocks (David Mitchell ) and The Peripheral (William Gibson) are among the best books I read this year, both being wonderfully written and interesting throughout.

Another book that glows in my brain is Tigerman by Nick Harkaway, a book about fathers and sons with the most unusual super hero in literature. This was the last book I read in 2014, and it is up there with the best. Nick Harkaway is the son of John Le Carré and has written three novels so far – The Gone Away World, Angelmaker & Tigerman-  all of which I have read and enjoyed. He’s a writer I’ll certainly be following in the future.

H is for Hawk by Helen Macdonald, which won the 2014 Samuel Johnson Prize for Non Fiction and the 2014 Costa Prize for Biography, is a standout. It’s a beautifully written memoir wherein Helen Macdonald, in the wake of her beloved father’s death, describes in glittering prose how she tried to cope with her grief by acquiring and training a goshawk.  As well as detailing her life with Mabel her goshawk, she muses on the sad lonely life of T. H. White who also wrote a book on training a goshawk in the 1950s, but is famous for his series of Arthurian novels collected under the title of The Once And Future King.

I’m still waiting for the 25th Anniversary Edition of John Crowley’s Little, Big, despite being hopeful at the beginning of last year it would be published in 2014.  Dare I hope to see it in 2015? It is after all 10 years since I subscribed to it, but surely will be worth the wait.

Speaking of collectable books, I was able to get a signed first edition of William Gibson’s The Peripheral, being alerted on Twitter by a Gibson fan that Barnes &  Noble had them available for pre-order. I was delighted to finally have a long desired, signed edition of one of his books.

And I lashed out on a slip cased, limited, numbered and signed edition of The Bone Clocks, which arrived on Christmas Eve - a nice present to myself.

There are several books I’m looking forward to in 2015. The final book in Hilary Mantel’s Thomas Cromwell trilogy, The Mirror and the Light, will possibly be released this year and Kate Atkinson is mooted to have new novel as well, about one the characters in Life After Life.

And I’ll have to clear another largish space on my bookshelf for Neal Stephenson’s new novel titled Seveneves, another 1000+ page novel due in May 2015. I like collecting his books in hardcover editions, even though they take up a lot of space, but they look wonderful on the shelf and are highly collectable, Stephenson being a nerdish cult hero.

IMG_0505
Current hard cover collection of Neal Stephenson novels

No doubt there will be more good reads in the offing, and who knows there may be a new author out there who will blow me away.

With 2015 being barely begun, who knows what is in store in the next 12 months. I’ll no doubt be spending some of it at the racetrack. The Magic Millions 2 and 3 year old (outrageously rich) Classic races are scheduled on the Gold Coast this Saturday. I haven’t a clue as to who the likely winners will be, but they’re always interesting to watch.

The first Group 1 of the 2015 Autumn racing carnival is only a little over a month away, so there’s lots to look forward to on the racing scene.

With that, I wish readers of this blog (if there are any) good fortune, good health and happiness in 2015.

Monday, January 06, 2014

Welcome 2014 – Looking To The Future

It’s not yet a week into the New Year, but I’m thinking that 2014 could be a good one.

One of the reasons why I am feeling particularly optimistic is that two of my all time favourite writers will release new books this year.  New novels from David Mitchell and William Gibson are occasions for rejoicing in my opinion and very much worth the wait for their publication whenever that may be.

david_mitchell 007

David Mitchell’s new novel is called The Bone Clocks and is described thus:

 ‘This  “rich and strange” novel will follow the story of Holly Sykes, who runs away from home in 1984 and 60 years later can be found in the far west of Ireland, raising a granddaughter as the world’s climate collapses.”

In between, Holly is encountered as a barmaid in a Swiss resort by an undergraduate sociopath in 1991; has a child with a foreign correspondent covering the Iraq War in 2003; and, widowed, becomes the confidante of a self-obsessed author of fading powers and reputation during the present decade. Holly’s life is repeatedly intersected by a slow-motion war between a cult of predatory soul-decanters and a band of vigilantes. Holly begins as an unwitting pawn in this war – but may prove to be its decisive weapon.

The publisher (Sceptre) said: “The arc of a life, a social seismograph, a fantasy of shadows and an inquiry into aging, mortality and survival, The Bone Clocks could only have been written by David Mitchell.”

Sounds good doesn’t it? But you’ll have to wait until early September to read it.

William-Gibson-Credit-Michael-OShea

Over the past two mornings I have been watching on my iPad a long interview with William Gibson that was recorded at the New York Public Library in April 2013. I hadn’t  known about this interview until I noticed a reference to it on The Guardian Books Blog recently, where readers of the blog were asked what books they were looking forward to in 2014. As soon as I saw the recommendation for William Gibson’s new book, apparently titled The Peripheral, I followed the link and watched an excerpt of the interview where Gibson reads a few pages from the first chapter entitled The Gone Haptics.  I was so riveted by the excerpt that I felt compelled to watch the whole video. It is 1 hour 41 minutes long, but a really fascinating and revealing glimpse into the mind and methods of the acclaimed writer.

Rather than me describing it, there’s a good review of the interview on The Awl . However, it doesn’t mention some bits of the interview that I found really interesting.

William Gibson is an original prose stylist, his style being smart, dry and crisp with apt analogies. During the course of the interview, part of a track from Bruce Springsteen's Darkness on the Edge of Town is played. The ensuing conversation was a revelation for me and also one of those moments when you say to yourself “Of course!”  Gibson’s style is to literature what Springsteen’s lyrics are music.

PAUL HOLDENGRÄBER: Speaking of music, let’s listen to something.

(Bruce Springsteen, “Darkness on the Edge of Town”)

PAUL HOLDENGRÄBER: So you’ve said of this album that it had quite an important influence in some way, that’s Springsteen, and this album of Springsteen in particular. How so?

WILLIAM GIBSON: Around the same time I was looking—looking for an arena that I could write science fiction in, I was looking for voices that resonated for me that I had never encountered in my reading of science fiction and in that album I found that really abundantly. I mean, I would listen to that I think what I thought was, “Wow, what if there was a kind of science fiction in which this is the voice of the protagonist?”

Gibson goes on to say that “when I started trying to put my own science fiction together, it wasn’t as though these characters were springing fully formed from my brow, I couldn’t even figure out how to do characters, but Springsteen, who is a superb writer of fiction, a superb writer of fiction as a lyricist, and an absolute master of terse but intense characterization gave me, gave me that and, you know, I studied him very carefully, and Lou Reed as well..”

The above conversation was about William Gibson’s first novel Neuromancer wherein he is credited with coining the term “cyberspace” and is hailed as the Godfather of Cyberpunk. Gibson explains in the interview how he came up with the word cyberspace...

Dataspace didn’t work, and infospace didn’t work. Cyberspace. It sounded like it meant something, or it might mean something, but as I stared at it in red Sharpie on a yellow legal pad, my whole delight was that I knew that it meant absolutely nothing.

Anyway, if you’ve read William Gibson’s novels or not, I highly recommend watching the interview. William Gibson comes across as modest, humorous and quirky, and talks just like he writes.

Another book that I have been awaiting for over 8 years is a special edition of John Crowley’s wondrous novel Little, Big.

Yes, the Little, Big 25th Anniversary Edition, is by all accounts almost at the printing stage and will - cross fingers - be published this year.  I subscribed to this edition way back in February 2005 and have been waiting patiently over the ensuing time. I’m sure it will be worth it – a book of superlative beauty and highly collectable.

By a curious coincidence, I learned of this edition on the William Gibson message board back in 2003/04, where Ron Drummond who is the publisher Incunabula and also the editor of the new edition, mentioned it in passing on one of the active threads at the time.

So that’s three things I am anticipating in 2014. What other thrills await me?

For a start, I’m heading off with a friend to Bendigo this Wednesday on a day outing, ostensibly to see the Modern Love Exhibition at the Bendigo Art Gallery.  We’re utilising one of our Senior’s free travel vouchers, so it will be a bit of an adventure. I haven’t visited Bendigo for decades, if ever. And there is a Space Age Books connection. The Director of Bendigo Art Gallery is Karen Quinlan, whom my friend and I both knew when she and her sisters worked at Space Age in the 1970s/80s.

Gibson photo credit Michael O’Shea