Showing posts with label Modern Love Exhibition. Show all posts
Showing posts with label Modern Love Exhibition. Show all posts

Monday, April 14, 2014

Farewell to an old friend–Rest In Peace Maureen

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When casting my eye over the Tributes page in The Age today, I was shocked to discover a familiar name listed, and ascertained from the names of the attributers that it was indeed my old and dear friend Maureen.

I post haste rang the persons who had placed the tribute to find out what had happened. Maureen had died last Friday morning of lung cancer, after being diagnosed with the condition in February this year.

This is a real shock as I had no inkling that she was ill. In fact the last time I saw her in early January  she was bragging about how well she felt.  And even though she always appeared cadaverous –tall,  pale and thin – she mostly had enjoyed the best of health and was a vegetarian by choice. She would have turned 62 on the 20th May.

I have known Maureen for over 40 years, first meeting her when she moved into the Parkville mansion, Mt Ievers, where I was living in the late 1960s/early 1970s . When Mt Ievers was sold to developers Maureen and I shared a house in Carlton for several years, and also both worked at Space Age Books in the 1970s.  We remained good friends through all the decades since, though didn’t see each other much, until fairly recently where we went on several outings to galleries. I hadn’t seen her since our trip to Bendigo for the Modern Love Exhibition in January, so I now bitterly regret that I had not got in touch with her over the last few months.

Maureen was fiercely independent so it would not be like to her to ring and complain about her health. She had long been looking for a job, so I assumed that she had got one and was too busy to make contact.

As I have no photos of her, I have used an Erte image to illustrate this post, as Erte’s fashion illustrations will always remind me of Maureen. She always dressed very stylishly, in beautifully designed clothes, mostly black in colour. Being tall and thin, she had a rare elegance and with her upright carriage and striking looks you could always pick her out from the crowd.

Both her parents died when she was quite young, so when I met her she was an orphan, though she is survived by her elder brother and sister.

I have many fond memories of Maureen and many amusing stories of her idiosyncrasies.

When she was in her teens Maureen had been an artist’s model, and had been painted by notable artists. She had a story about one such painting which hung on the wall in an office at La Trobe University. She was attending an interview with a tutor perhaps, who remarked when he saw her that she looked familiar. Maureen realised that the painting behind him was one of her, which explained his sense of familiarity, but didn’t let him into the secret.

She was a caring person who worked for many years providing employment advice to disadvantaged youth. I don’t think she had a cynical bone in her body and approached the world in an open hearted, perhaps somewhat naive manner.

She never married nor had children, but she owned a little terrace house in Brunswick and had lived there many years by herself by choice. She was secretive about her personal life so I don’t know if she had any special friends or lovers.  As I said before she was very independent and never asked anything of other people, and was unquestionably honest and upright in her dealings.

Highly intelligent and pure living (cigarettes were her only vice) Maureen was a smart, beautiful, elegant and charmingly eccentric person – an unique and original individual who will be grievously missed by all who knew her.

Rest in peace Maureen. I’m sorry I never got the chance to say good bye, but you’ll always live in my memory as one of this old sinner’s dearest friends and I’ll be sad when I look at the unusual presents you’ve given me over the years, as they’ll represent a little piece of Maureen for me.

Friday, January 10, 2014

Clothes As Art – Modern Love

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Bendigo Art Gallery Interior – Permanent Collection

I’ve never really thought about clothes as forms of art, but when you think about it, some haute couture is just that - the imaginative use of materials and textiles in new and dynamic ways as a form of artistic expression.

For a person who expresses little interest in fashion, and certainly doesn’t dress á la mode, I appear to have attended three exhibitions over the past 12 months that concentrated on fashion and clothing. Blame it all on my friend M, who is keen on clothes and always dresses very stylishly unlike myself.

In April or May last year I went to the ACMI Hollywood Costume Exhibition in Federation Square, then in November attended the Edward Steichen Exhibition at the Victorian National Gallery. And this week M and I ventured to Bendigo to visit the Bendigo Art Gallery’s Modern Love exhibition

Because the train tracks were being upgraded or something, we travelled to Bendigo by a VLine bus. It took about two hours to get from Southern Cross Station to Bendigo Station and from there we walked to the Art Gallery. Opinions of the locals were varied as to the difficulty of the walk, one woman averring that it was hard, and a bus driver telling us it was easy. We believed the bus driver and he was right – it was an easy 15 minute stroll through the main street of Bendigo to the gallery.

Bendigo is a pleasant rural city about 150 kilometres from Melbourne  that originated as a boom town in the 1850s gold rush.  It has many fine buildings still extant from the period.

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The Capital – Bendigo’s Performing Arts Centre next door to the Bendigo Art Gallery

On to Modern Love

The Exhibition, subtitled “fashion visionaries from the FIDM (Fashion Institute of Design & Merchandising) Museum LA” covered  fashion from the 1980s to the present. Many well known designers were represented – Chanel, Yves St Laurent, Christian Dior, Comme des Garçons, Vivienne Westwood, Alexander McQueen; the list goes on.

The costumes ranged from punk to glamorous, all highly individual designs, many in bright colours. There was the outrageous and the beautiful; clothes you wouldn’t mind wearing and others you wouldn’t be seen dead in. 

I assumed that photography was banned so didn’t take any photos of the exhibits, though apparently non flash photography was permitted.

Here’s some photos I found on Google Images…

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Wool Jersey dress designed by Christian Francis Roth – photo from Milca Designs

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Vivienne Westwood – Anglomania Suit – photo from Handmade by Carolyn Blogspot

As well as the exhibits,  there were videos playing on big screens with footage of the clothes being modelled on the catwalk by famous models. This was both mesmerising and occasionally hilarious.

It took about two hours to absorb the exhibition -  reading the commentary, viewing the costumes and videos - so we didn’t have much time to explore the rest of the Bendigo township, before catching the bus back to Melbourne.

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Folly created by Sebastian Di Moro in the garden adjoining the Bendigo Art Gallery. It ‘s made out of timber, polystyrene, fibreglass and artificial grass

If you are into fashion or the history of haute couture, or just like beautiful clothes, you would probably enjoy the Modern Love Exhibition. Even a non fashionista like me found it interesting and felt the trip to Bendigo was worth it.