The Milk Carton Kids–Midwinter Magic

The Milk Carton Kids at the Athenaeum 30/6/15

Joey Ryan and Kenneth Pattengale aka The Milk Carton Kids last toured Australia in June 2013 and wowed those of us who saw them when they passed through then. We were charmed and amused by their minimalist but sublime performances, so it was a no brainer to buy tickets for their concert this time round.

Appearing this time at the beautiful old Athenaeum Theatre, one of the oldest Melbourne theatres still in use - established in 1839 – it is a small intimate venue that is perfect for the quiet, understated perfection of The Milk Carton Kids style of performance.

Opening for the main act was Wollongong born singer songwriter Timothy James Bowen who was an unknown quantity to me.

Joey Ryan took the time to introduce him to the audience, delivering in his dry way a back handed compliment, stating that Timothy James Bowen had a better voice than himself. Tongue in cheek, he added that normally The Milk Carton Kids would choose support acts with worse voices.

Joey wasn’t wrong, Timothy James Bowen has an expressive sweet tenor and performs with passion and conviction.

Timothy James Bowen at the Athenaeum 30/6/15

Timothy sang a short set of six songs, all of his own composition (with a little help from family and friends). He started with the lovely Breathe Easy then moved on to his specially commissioned song that was featured on the Virgin Mobile Making Australia Better Campaign. It is appropriately entitled Answer The Call.

Another song The Dharawal addresses indigenous issues, relating as does to a little known historical event, that being the massacre of the Dharawal people in 1816.

After a short interval the star act took the stage. The Milk Carton Kids are a rare act. They perform unplugged and unamplified, with just one microphone between them. There are no flashy light shows, just a single spot and an unadorned setting.

The Milk Carton Kids at the Athenaeum 30/6/15

They launched their show with the Haruki Murakami inspired Secrets of the Stars, the fourth track on their new record Monterey, which is an exquisite and quietly understated work of genius.

Three more songs from the album followed in quick succession, Asheville Skies, Getaway and The City of Our Lady, after which Joey Ryan paused for the first of his dry and amusing dissertations which had the audience in stitches. He remarked that with four songs played they were half way through the show, only kidding of course.

The title track of their previous CD The Ash & Clay was next to be performed, followed by the title track of Monterey. In their 13 song set the songs were mostly drawn from those two albums, with Michigan being the only song from an earlier recording, Prologue in fact.

Interspersed with the songs Joey & Kenneth entertained the crowd with gentle banter. Australia’s Prime Minister got a not very complimentary mention, the audience endorsing this view emphatically. Joey mused that perhaps people who came to their shows were of a leftist bent.

There was also a running joke about whether there were any children in the audience, which started when Joey apologised for the tone of language used at the time – a few rude words is all I recall hearing  - and wondered if there were children present. Some dag at the back with a deep male voice yelled “Yes!” which caused great hilarity and even broke down Joey’s deadpan cool.

During the musical moments a hushed quiet is de rigueur to appreciate the MCK’s act. They play their old 1950s guitars softly and harmonise in quiet voices, but the effect is mesmerising and enthralling - you can hear all the words and distinguish the two voices and the guitars. Kenneth Pattengale’s  playing is wonderfully ornate and complicated and he received much applause for his mastery of the instrument.

The Milk Carton Kids is a high quality act of unusual beauty and surprisingly hilarious. They combine sublime melodies with enchanting harmonised vocals and deep lyrics. They are up there with the likes of Emmylou Harris and Rodney Crowell, Gillian Welch and the other giants of American folk music.

SET LISTS

Timothy James Bowen Set List

1. Breathe Easy
2. Answer The Call
3. After Wintertime
4. The Dharawal
5. Whatever Makes You Happy
6. Love Is Loving You

The Milk Carton Kids Set List

1. Secrets of the Stars
2. Asheville Skies
3. Getaway
4. City of Our Lady
5. The Ash & Clay
6. Monterey
7. Honey. Honey
8. Shooting Shadows
9. Hope of a Lifetime
10. I Still Want A Little More
11. Snake Eyes
12. Michigan
13. Heaven

Encore

1. New York
2. Memphis

Photo of MCK set list

Anticipation

Life’s pretty dull if you haven’t got anything to look forward to. I was going to say, not worth living, but then I thought of all the people in the world who really haven’t anything to look forward to, but no doubt appreciate being alive.

I count myself fortunate that I live in a free and reasonably well off society, where there are many pleasures to relish in advance.

Such is the case at present, where I am keenly anticipating both things of a musical nature and things of a literary nature, not to mention the Spring Racing Carnival.

Ryan Adams. as I have mentioned before, is my all time favourite music artist. I’ve got all his CDs and even some memorabilia ( t-shirt and poster) and have seen him perform live five times.

I must admit I have not liked some of his music, his CD Rock N Roll for instance, but in the main I’ve loved most of them.

What I am keenly anticipating is his latest musical offering Ashes & Fire, especially after listening to a couple of tracks that are freely available on the Internet.  You can listen to his first single, Lucky Now here, and watch Ryan playing an acoustic version of the title song here.  They both sound really beautiful to me; Ryan Adams is back with a vengeance.

Ashes & Fire is his first solo record since he took a break from making music after his 2009 tour. So, it has been quite a wait, but judging from what I have heard so far will be well worth it.

Strangely enough, next week I am going to a concert by the similarly named artist Bryan Adams, famous for such songs as Summer of 69 and Cuts Like A Knife.  Yes it’s pop, but I’m certain it will be very enjoyable, despite the  horrible seat I was allocated at the booking office. People have suggested that I should yell out a request for Come Pick Me Up, one of Ryan Adams’ most requested songs, seeing as how at Ryan Adams concerts in the past, rude persons in the audience were wont to yell out “Play Summer of 69!” Of course I wouldn’t do anything of the kind.

A curious coincidence between Ryan and Bryan Adams is that they have the same birthday – 5th November, 1974 and 1959 respectively.

On the book front, I’m waiting for the publication later this month of Neal Stephenson’s new monster (in size, not subject) novel Reamde, purportedly a hi tech thriller.

You have to be somewhat nerdish to be a Neal Stephenson fan, or have the patience and fortitude to read through 1000 plus pages of a novel. But Stephenson generally fills those 1000 plus pages with cool stuff, and he has a racy style of writing that has you turning the pages excitedly. He  also explains complex ideas with engaging simplicity.

I have a shelf of Neal Stephenson novels in hard cover. They’re all pretty hefty tomes, but look impressive lined up together. I’ll have to clear a 60mm space to fit Reamde in alongside.

As well as having Reamde on pre-order, I’ve also placed orders for the new Haruki Murakami novel 1Q84, apparently Murakami’s masterpiece and his take on Orwell’s 1984, due out in October, and the new Umberto Eco novel The Prague Cemetery, which is due in November.

I purchased all the above books, redeeming a gift voucher I received from my brother for my birthday. I regard it as a good haul and will have the pleasure of anticipating new exciting books for the next three or so months.

I’m also still waiting – after six years – for the publication of the 25th Anniversary edition of Little, Big by John Crowley. Whether it will be published this year is up in the air. I’m not holding my breath.