Showing posts with label Tim O'Brien. Show all posts
Showing posts with label Tim O'Brien. Show all posts

Thursday, January 12, 2017

Music Master–Tim O’Brien at Caravan Music Club

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Tim O’Brien live at Caravan Music Club – 11/1/17

Caravan Music Club, out in the wilds of Oakleigh, on the other side of the Yarra, is a fair way from where I live. But it’s such a pleasant venue that the long trek getting there is generally worth the effort.

Such was the case last night, where we saw American master musician Tim O’Brien show off his expertise on guitar, violin and mandolin in a one man show.

Tim O’Brien last toured Australia in 2011, and I had the good fortune to see him perform at the Port Fairy Folk Festival and at the now extinct East Brunswick Club.

As well as being a whiz on various instruments, Tim also has a great singing voice, a warm tenor that suits the kind of music he favours – bluegrass, folk and gospel.

He started his show with one of his own compositions Workin’ a sort of Dylanish monologue detailing various work scenarios. Señor, a Dylan song he recorded on his wonderful Bob Dylan bluegrass tribute album Red On Blonde, followed, and provided an interesting and appropriate segue.

He changed the mood with a traditional English folk ballad Pretty Fair Lady In The Garden, then performed the comical title song from his latest record Pompadour.

Quite a few of the songs on the night were from the Pompadour album.

Tim O’Brien is touring Australia in the company of his partner, Jan Fabricious, whom he invited on stage to sing harmony in the next few songs – Wichita, I Gotta Move, What Happened To Me and Go Down To The Water.

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Jan Fabricious at Caravan Music Club 11/1/17

And so the night progressed, Tim switching from guitar to fiddle to mandolin, singing or playing 22 tunes in his main set.

I was a tad disappointed he didn’t play banjo, but you can’t have everything.

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Tim O’Brien live at Caravan Music Club 11/1/17

Several of the tunes were instrumental, such as traditional fiddle tunes like Ditty Boy Twang, Say Old Man and Kid On The Mountain, but the whole show was varied in terms of musical styles, making it a very enjoyable and engaging concert.

There was a good crowd in attendance, many of my vintage, who all appreciated the rare pleasure of watching Tim O”Brien play his instruments so effortlessly and with masterful skill.

Set List (stolen from the stage)

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Tim O’Brien Set List for 11/1/17

Set List Translated (to the best of my ability)

  1. Workin’
  2. Señor
  3. Pretty Fair Maid In The Garden
  4. Pompadour
  5. Wichita
  6. I Gotta Move
  7. Whatever Happened To Me
  8. Go Down To the Water
  9. You Were On My Mind This Morning
  10. Say Old Man (fiddle tune)
  11. Working On A Building
  12. Ditty Boy Twang
  13. Kid On The Mountain
  14. Not Afraid Of Dying
  15. I’m A Mess For You
  16. Brother Wind
  17. Jack of Diamonds (Drunkard’s Hiccups)/The Crossing
  18. Nellie Kane
  19. The Tulips On the Table
  20. Gentle On My Mind (John Hartford cover by special request)
  21. The Water Is Wise
  22. Look Down That Lonesome Road

Encore

Before This Time Another Year

Monday, January 02, 2017

New Year at Flemington with Black Caviar’s Daughter

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Oscietra Black Caviar’s first foal

After the tragic end to 2016 with the death of our beloved cat, I needed cheering up, so headed out to Flemington to welcome the New Year and witness Black Caviar’s first foal, Oscietra, have her first start at the race track.

She was set to run in the first race on the program, so I caught the first train to Flemington, along with a good crowd of other racing enthusiasts. Many of course, like me, were only going to see Oscietra.

There was plenty of time to cruise out to the stalls area and a big crowd was gathered outside Oscietra’s stall to get a first look at the star mare’s daughter.

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Crowd outside Oscietra’s stall – there’s even a guy wearing a Black Caviar cap

I managed to wriggle in and got several photos of the filly. The atmosphere was reminiscent of the days when Black Caviar was at the track.

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Oscietra standing calmly in her stall

Oscietra took the attention calmly as if she’d seen it all before, even though it was her first day at the races.

Alas she wasn’t able to emulate her mum with a win, being outgunned by the more experienced filly Limestone, but was far from disgraced running third.

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Oscietra in the mounting yard

Oscietra pinged out of the barriers and led for most of the race down the middle of the big Flemington straight, and was only overtaken by Limestone in the last 200 metres.  Miss Wahoo ran second.

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Limestone overtakes Oscietra close to the finishing line.

It is probably a blessing that Oscietra didn’t win her first race, as expectations will not be as high next time round, where she has the potential to be the star act.

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Limestone returns to scale

There was a larger than usual crowd in attendance for such a low key meeting, and Oscietra’s race was the feature race as far as most were concerned.

I stayed for two more races, the first of these being the  Straight Draw Handicap, run over 2000 metres. Flying Light was the starting favourite and he didn’t disappoint winning by ¾ length from Master Zephyr with Kourkam running third.

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Flying Light wins the Straight Draw Handicap

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Flying Light returns to scale

Race 3 was the Byron Moore Handicap, a race over 1600 metres.  The wonderfully named Crocodile Rock, a Lloyd Williams import from Ireland was the favourite, but he left it too late in his run to overtake eventual winner Gervaise who romped in at good odds.  Stone Warrior ran third.

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Byron Moore Handicap finish – first three across the line – Gervaise, Crocodile Rock, Stone Warrior

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Gervaise returns to scale

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Crocodile Rock returns to scale

As trains were not scheduled to leave Flemington until 5.00pm, I was obliged to make the long tramp to Epsom Road to the tram stop. The journey home took about a hour, the 57 Tram being an old slow Z class vehicle that weaves its way through the north western suburbs to the city.

The autumn racing carnival kicks off in earnest in February, so there’s not long to wait for first class meetings, with various build up races occuring in January.

*********************

It is now a week since Willy’s death and we still miss him, and expect him to appear and demand attention at any moment.

Talya by contrast is a quiter, less demanding  cat, so it’s no wonder she’s now emerging from Willy’s shadow and taking over where he left off.

This morning she waited for me and occupied my lap as Willy used to do. She never got a look in when he was around. She’s asleep on my pillow as I write, another invasion of Willy’s former domain.

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Talya – the Queen of the Universe

And I’m pleased to report that she has finally given up pulling her fur out, so is looking much prettier these days with her fur grown back.

As for the rest of 2017, I’m hoping for small pleasant distractions to offset the gloom of the new world order.

For a start, I have three concerts to attend in the near future, the first being Americana maestro Tim O’Brien at Caravan Music Club next week.

In February I’m going to a Bruce Springsteen concert. I have never had the pleasure of seeing him before and wouldn’t have gone had not Frontier Touring had a Boxing Day sale, where I acquired tickets at a discounted price. 

And I’m keenly looking forward to seeing the Dixie Chicks in April, from second row seats at Rod Laver Arena.

As for books, there’s nothing much that has piqued my interest so far, but I believe that Hilary Mantel’s final book in her Thomas Cromwell trilogy will be out later this year.

Cross fingers,  John Crowley’s Little, Big (25th Anniversary Edition)  may be finally published this year.  I’ve expressed this same wish every year since this blog was started, and hope not to write it again in 2018.

John Crowley also has a new book in the offing which is rumoured to be published sometime in 2017 – always something to await with pleasurable anticipation.