Good News At Last

Little, Big – 25th Anniversary Edition Dust Jacket
Check out large version on the Little. Big  site

Way back in February 2005 I subscribed to acquire a numbered copy of the 25th Anniversary edition of Little, Big by John Crowley, from Incunabula, a boutique American publisher.

I wrote about it enthusiastically in September 2006 on this blog but to date have yet to receive the book.

Through all the years since I subscribed I have maintained my faith in the project, despite the set backs experienced by the publisher over the 16 years it has been in production.

The good news is that the book will finally be published by the end of this  year. I almost don’t believe it, but the recent revelation of the dust jacket, and latest update on the Little, Big site, convinced me.

It has certainly perked me up in this endless lockdown, while still missing Bingo the cat.

Judging by the dust jacket the final book will be an object of supreme beauty which I am longing to finally receive.

The illustrations throughout are by noted American artist Peter Milton and are astoundingly apposite to the book. Though John Crowley and Peter Milton did not know of each other whilst they were creating their works, it is almost as if unconsciously they were in collaboration all along.

So it has been a long wait, but I feel strangely privileged to have lived through this extensive period – sort of one of a chosen few who subscribed to Little, Big  25 way back when and have followed its progress ever since. And of course, when I finally  have  the book in my hands it will be a rare and precious edition like no other in my possession.

Reasons To Be Cheerful

Global power may currently be in the hands of a scary three year old in the body of a grown man, a sinister former member of the KGB and an ambitious inscrutable oriental power,  but I try not to let that bother me overmuch.

What can you do?

My answer is to find things that make you cheerful and take your mind off the dire new world – world war three  will happen, or then again, it may not.

I have several pleasant things to look forward to in books, music and horse racing.

Firstly, books.  I was pretty underwhelmed by the literature on offer at the start of 2016, but I did find some gems published last year after it was almost over.

I’m currently reading A Gentleman In Moscow by American writer Amor Towles, an author unfamiliar to me, even though he has one other novel, The Rules of Civility, published in 2011.

A Gentleman In Moscow is a real find; a charming and thoroughly enjoyable novel set in Moscow, covering the years 1922 through to the 1950s. 

Though  the novel is set in Moscow in the period following the Russian Revolution,  it is mostly confined to the grand old Hotel Metropol where the novel’s protagonist, Count Alexander Rostov, is detained under house arrest. 

It’s a novel to be enjoyed for its elegant and witty prose style, rather than page turning action.  However, there is plenty to keep the reader amused and beguiled as Count Rostov settles into his prison and adapts to its limitations. He’s a likeable character, a man with good taste and manners -  a true gentleman- who enjoys the good things life has to offer in his confinement, and treasures the friends he makes along the way.

Events outside the Metropol are not ignored; the tumultuous events of post revolutionary Russia  intrude on the charmed lives of the Hotel Metropol residents every so often.

Other 2016 published novels I was taken with are Margaret Atwood’s wicked take on Shakespeare’s The Tempest Hagseed, and Moonglow, a fictional biography by Michael Chabon, wonderfully written as you’d expect. I also read some super short story collections, Joan Aiken’s The People In The Castle, Get In Trouble by Kelly Link and Children of The New World by Alexander Weinstein.

This year’s fiction offerings are far more promising with novels by favourite authors Neal Stephenson (The Rise and Fall of D.O.D.O), Nick Harkaway (Gnomen), Phillip Pullman (The Book of Dust) and John Crowley (Ka: Dar Oakley in the Ruin of Ymr)  all to be published this year.

As for music, I have three concerts to attend in the next few months, with the Dixie Chicks on April 2 at Rod Laver Arena. My all time favourite artist Ryan Adams will be performing live in May at Margaret Court Arena. In July I’m off to see America, the 1970s band, best known for the song “Horse With No Name”, at Hamer Hall.

Having been awed by the amazing performance of Winx in the George Ryder Stakes last weekend, I had an overwhelming urge to go and see her in her final race for autumn, in three weeks time at Randwick, in the Queen Elizabeth Stakes. I have decided to fly to Sydney for the day and have booked my flight and purchased a ticket to the event, which also covers public transport fares to Randwick Racecourse.  So a sort of mini adventure is on the cards for Saturday 8 April. I don’t care what the weather is like – rain or shine will suit me either way.

Rebecca, if you’re reading this, I can get you a race book (can’t promise to get it signed, but I’ll try) and hopefully a Winx flag. Send me an email at pollycatster@gmail.com if interested.

If you’re wondering at my folly, check out this video of Winx winning the 2017 George Ryder Stakes last Saturday.  Be mindful that the track was a heavy 10 (Heaviest category track, very wet, towards saturation). All the racing fraternity are lost for words at her latest win, but I can’t help but rejoice that a racehorse of her calibre is back with us again so soon after Black Caviar stole our hearts away. 

New Year at Flemington with Black Caviar’s Daughter

Oscietra – Black Caviar’s first foal

After the tragic end to 2016 with the death of our beloved cat, I needed cheering up, so headed out to Flemington to welcome the New Year and witness Black Caviar’s first foal, Oscietra, have her first start at the race track.

She was set to run in the first race on the program, so I caught the first train to Flemington, along with a good crowd of other racing enthusiasts. Many of course, like me, were only going to see Oscietra.

There was plenty of time to cruise out to the stalls area and a big crowd was gathered outside Oscietra’s stall to get a first look at the star mare’s daughter.

Crowd outside Oscietra’s stall – there’s even a guy wearing a Black Caviar cap

I managed to wriggle in and got several photos of the filly. The atmosphere was reminiscent of the days when Black Caviar was at the track.

Oscietra standing calmly in her stall

Oscietra took the attention calmly as if she’d seen it all before, even though it was her first day at the races.

Alas she wasn’t able to emulate her mum with a win, being outgunned by the more experienced filly Limestone, but was far from disgraced running third.

Oscietra in the mounting yard

Oscietra pinged out of the barriers and led for most of the race down the middle of the big Flemington straight, and was only overtaken by Limestone in the last 200 metres.  Miss Wahoo ran second.

Limestone overtakes Oscietra close to the finishing line.

It is probably a blessing that Oscietra didn’t win her first race, as expectations will not be as high next time round, where she has the potential to be the star act.

Limestone returns to scale

There was a larger than usual crowd in attendance for such a low key meeting, and Oscietra’s race was the feature race as far as most were concerned.

I stayed for two more races, the first of these being the  Straight Draw Handicap, run over 2000 metres. Flying Light was the starting favourite and he didn’t disappoint winning by ¾ length from Master Zephyr with Kourkam running third.

Flying Light wins the Straight Draw Handicap

Flying Light returns to scale

Race 3 was the Byron Moore Handicap, a race over 1600 metres.  The wonderfully named Crocodile Rock, a Lloyd Williams import from Ireland was the favourite, but he left it too late in his run to overtake eventual winner Gervaise who romped in at good odds.  Stone Warrior ran third.

Byron Moore Handicap finish – first three across the line – Gervaise, Crocodile Rock, Stone Warrior

Gervaise returns to scale

Crocodile Rock returns to scale

As trains were not scheduled to leave Flemington until 5.00pm, I was obliged to make the long tramp to Epsom Road to the tram stop. The journey home took about a hour, the 57 Tram being an old slow Z class vehicle that weaves its way through the north western suburbs to the city.

The autumn racing carnival kicks off in earnest in February, so there’s not long to wait for first class meetings, with various build up races occuring in January.

*********************

It is now a week since Willy’s death and we still miss him, and expect him to appear and demand attention at any moment.

Talya by contrast is a quiter, less demanding  cat, so it’s no wonder she’s now emerging from Willy’s shadow and taking over where he left off.

This morning she waited for me and occupied my lap as Willy used to do. She never got a look in when he was around. She’s asleep on my pillow as I write, another invasion of Willy’s former domain.

Talya – the Queen of the Universe

And I’m pleased to report that she has finally given up pulling her fur out, so is looking much prettier these days with her fur grown back.

As for the rest of 2017, I’m hoping for small pleasant distractions to offset the gloom of the new world order.

For a start, I have three concerts to attend in the near future, the first being Americana maestro Tim O’Brien at Caravan Music Club next week.

In February I’m going to a Bruce Springsteen concert. I have never had the pleasure of seeing him before and wouldn’t have gone had not Frontier Touring had a Boxing Day sale, where I acquired tickets at a discounted price. 

And I’m keenly looking forward to seeing the Dixie Chicks in April, from second row seats at Rod Laver Arena.

As for books, there’s nothing much that has piqued my interest so far, but I believe that Hilary Mantel’s final book in her Thomas Cromwell trilogy will be out later this year.

Cross fingers,  John Crowley’s Little, Big (25th Anniversary Edition)  may be finally published this year.  I’ve expressed this same wish every year since this blog was started, and hope not to write it again in 2018.

John Crowley also has a new book in the offing which is rumoured to be published sometime in 2017 – always something to await with pleasurable anticipation.

Bibliophiles Delight–The Chemical Wedding

The Chemical Wedding – Small Beer Press Numbered Edition

Back in May this year there was a Kickstarter campaign by Small Beer Press to publish various exclusive hard cover editions of the 400 year old romance The Chemical Wedding in a new version written by the marvellous John Crowley.

I couldn’t resist pledging for a Numbered Edition:

Kickstarter Exclusive Signed, Numbered, Limited Edition.

Limited to 200 numbered copies (not including presentation copies to author, illustrator, and designer).

Signed on a two-color tipped in page by the author John Crowley, the illustrator Theo Fadel, and the designer Jacob McMurray.

Presented in a black cloth slipcase stamped with gold foil and accompanied by an exclusive woodcut hand printed, signed, and numbered in her studio by Theo Fadel.

Smyth sewn in oatmeal linen with black and red foil stamped cover. Printed in black and red ink on a beautiful 70# Finch Opaque Vanilla paper with black endpapers and a black ribbon.

It arrived in the mail yesterday and is a beautiful book as special as promised in the Kickstarter, with an attractive variation of red endpapers and a red ribbon instead of black as described above.

Theo Fadel’s illustrations are playful and apt and the numbered edition includes a separate numbered and signed woodcut by the artist.

Theo Fadel special woodcut

I’m a sucker for slipcased editions and I love ribbon markers. The Chemical Wedding will look splendid  on my bookshelf next to the few precious slipcased editions that I already have in my personal library.

A paperback and ebook will be published on the 400th Anniversary date of the original, 8 November 2016.

There has been no recent news on the other John Crowley book, the 25th Anniversary Edition of Little, Big that I have been awaiting for close to 12 years. 

The last newsletter received in August indicated that the book may go to press by the end of the year, but I hold out little hope of that happening and live in expectation that it will be finally published in 2017.

The Chemical Wedding–Book Collectors Delight

Chemical Wedding cover image from Small Beer Press

I know, I know, I’m still waiting for the publication of John Crowley’s 25th Anniversary Edition (I wish she would wake up!) of his best loved work, Little, Big, but I couldn’t resist pledging to the Kickstarter for The Chemical Wedding, a four hundred year old romance by Christian Rosencruetz (Johann Valentin Andreae), re-imagined by  John Crowley, who dubs it the first Science Fiction novel ever written.

To mark the 400th Anniversary of the work, first published in 1616, Small Beer Press will be publishing this new version in November 2016 in diverse editions, paperback and eBook, and have launched a Kickstarter to fund the more exotic limited editions – an exclusive Hard Cover Edition, a Numbered Edition and a Lettered Edition.

Small Beer Press is an American independent publishing company founded and run by husband and wife team, Gavin J Grant and Kelly Link. They publish a range of fine speculative fiction and non fiction. They also established Weightless Books, a DRM free source of eBooks from independent publishers. 

Anyway, The Chemical Wedding looks as if it will be a splendid edition and a real collectable, destined to become a rare book classic. Illustrated throughout with whimsical woodcuts by Theo Fadel, John Crowley’s artist of choice for the book, makes it extra special.

The Kickstarter offers many reward levels, and there are some tempting goodies, such as (limited) signed and inscribed first editions of John Crowley novels, if you pledge for the Hard Cover. Every level from $10.00 upwards receives a DRM free eBook of The Chemical Wedding in the eBook format of your choice.

If you are a serious bibliophile and love fine editions, the Kickstarter for The Chemical Wedding gives you the opportunity to acquire an exceptionally beautiful first edition at a good price.

Fortunately we will not have to wait 11+ years for it to be published, as Small Beer Press expect the books to be available in October or November 2016.

It will be interesting for me to see which book will arrive first in my mailbox – Little, Big 25 or The Chemical Wedding. Let’s say, I’m not holding my breath for Little, Big as there has been no news on its publication since December last year.

Welcome 2014 – Looking To The Future

It’s not yet a week into the New Year, but I’m thinking that 2014 could be a good one.

One of the reasons why I am feeling particularly optimistic is that two of my all time favourite writers will release new books this year.  New novels from David Mitchell and William Gibson are occasions for rejoicing in my opinion and very much worth the wait for their publication whenever that may be.

David Mitchell’s new novel is called The Bone Clocks and is described thus:

 ‘This  “rich and strange” novel will follow the story of Holly Sykes, who runs away from home in 1984 and 60 years later can be found in the far west of Ireland, raising a granddaughter as the world’s climate collapses.”

In between, Holly is encountered as a barmaid in a Swiss resort by an undergraduate sociopath in 1991; has a child with a foreign correspondent covering the Iraq War in 2003; and, widowed, becomes the confidante of a self-obsessed author of fading powers and reputation during the present decade. Holly’s life is repeatedly intersected by a slow-motion war between a cult of predatory soul-decanters and a band of vigilantes. Holly begins as an unwitting pawn in this war – but may prove to be its decisive weapon.

The publisher (Sceptre) said: “The arc of a life, a social seismograph, a fantasy of shadows and an inquiry into aging, mortality and survival, The Bone Clocks could only have been written by David Mitchell.”

Sounds good doesn’t it? But you’ll have to wait until early September to read it.

Over the past two mornings I have been watching on my iPad a long interview with William Gibson that was recorded at the New York Public Library in April 2013. I hadn’t  known about this interview until I noticed a reference to it on The Guardian Books Blog recently, where readers of the blog were asked what books they were looking forward to in 2014. As soon as I saw the recommendation for William Gibson’s new book, apparently titled The Peripheral, I followed the link and watched an excerpt of the interview where Gibson reads a few pages from the first chapter entitled The Gone Haptics.  I was so riveted by the excerpt that I felt compelled to watch the whole video. It is 1 hour 41 minutes long, but a really fascinating and revealing glimpse into the mind and methods of the acclaimed writer.

Rather than me describing it, there’s a good review of the interview on The Awl . However, it doesn’t mention some bits of the interview that I found really interesting.

William Gibson is an original prose stylist, his style being smart, dry and crisp with apt analogies. During the course of the interview, part of a track from Bruce Springsteen's Darkness on the Edge of Town is played. The ensuing conversation was a revelation for me and also one of those moments when you say to yourself “Of course!”  Gibson’s style is to literature what Springsteen’s lyrics are music.

PAUL HOLDENGRÄBER: Speaking of music, let’s listen to something.

(Bruce Springsteen, “Darkness on the Edge of Town”)

PAUL HOLDENGRÄBER: So you’ve said of this album that it had quite an important influence in some way, that’s Springsteen, and this album of Springsteen in particular. How so?

WILLIAM GIBSON: Around the same time I was looking—looking for an arena that I could write science fiction in, I was looking for voices that resonated for me that I had never encountered in my reading of science fiction and in that album I found that really abundantly. I mean, I would listen to that I think what I thought was, “Wow, what if there was a kind of science fiction in which this is the voice of the protagonist?”

Gibson goes on to say that “when I started trying to put my own science fiction together, it wasn’t as though these characters were springing fully formed from my brow, I couldn’t even figure out how to do characters, but Springsteen, who is a superb writer of fiction, a superb writer of fiction as a lyricist, and an absolute master of terse but intense characterization gave me, gave me that and, you know, I studied him very carefully, and Lou Reed as well..”

The above conversation was about William Gibson’s first novel Neuromancer wherein he is credited with coining the term “cyberspace” and is hailed as the Godfather of Cyberpunk. Gibson explains in the interview how he came up with the word cyberspace...

Dataspace didn’t work, and infospace didn’t work. Cyberspace. It sounded like it meant something, or it might mean something, but as I stared at it in red Sharpie on a yellow legal pad, my whole delight was that I knew that it meant absolutely nothing.

Anyway, if you’ve read William Gibson’s novels or not, I highly recommend watching the interview. William Gibson comes across as modest, humorous and quirky, and talks just like he writes.

Another book that I have been awaiting for over 8 years is a special edition of John Crowley’s wondrous novel Little, Big.

Yes, the Little, Big 25th Anniversary Edition, is by all accounts almost at the printing stage and will - cross fingers - be published this year.  I subscribed to this edition way back in February 2005 and have been waiting patiently over the ensuing time. I’m sure it will be worth it – a book of superlative beauty and highly collectable.

By a curious coincidence, I learned of this edition on the William Gibson message board back in 2003/04, where Ron Drummond who is the publisher Incunabula and also the editor of the new edition, mentioned it in passing on one of the active threads at the time.

So that’s three things I am anticipating in 2014. What other thrills await me?

For a start, I’m heading off with a friend to Bendigo this Wednesday on a day outing, ostensibly to see the Modern Love Exhibition at the Bendigo Art Gallery.  We’re utilising one of our Senior’s free travel vouchers, so it will be a bit of an adventure. I haven’t visited Bendigo for decades, if ever. And there is a Space Age Books connection. The Director of Bendigo Art Gallery is Karen Quinlan, whom my friend and I both knew when she and her sisters worked at Space Age in the 1970s/80s.

Gibson photo credit Michael O’Shea