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Dorothy Dunnett is famous for the Lymond series of novels, a fantastic historical adventure story comprising six books, which feature the fascinating hero Francis Crawford, soldier adventurer extraordinaire. She died in 2001 and was herself a person of many parts. As well as being a prolific writer she also had a career as a portrait painter.
The “Niccolo” series is a prequel to the Lymond saga and like the latter series the action ranges across a large geographical area. It begins in Bruges where Nicholas is introduced, first appearing as an apparently simple dyer’s apprentice, an illegitimate child fostered by Marion Charetty, the distant relation who owns the dyeing business. As is typical of Dunnett’s style of hero, Nicholas is not what he initially seems, but is gradually revealed to be a genius with figures and codes and wise beyond his years.
I first read Dorothy Dunnett back in the late 1980s, when my supervisor at work recommended the Lymond series to me. I must admit, I had heard of Dorothy Dunnett before then, but had dismissed her books in my mind as being merely insipid historical romances.
How wrong I was!
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Dorothy Dunnett works on a huge canvas. As previously mentioned, the geographical stretch of the novels’ action covers the known world of the time - the Ottoman Empire, Czarist Russia during the reign of Ivan the Terrible, the Holy Land under Marmalukes, England under Henry XIII, the Florence of Cosimo Medici etc. etc. All these places are described in technicolour - the brilliant fashions and jewels, the picturesque cities and ceremonies are all rendered in sparkling detail.
By no means an easy read, Dorothy Dunnett’s 14-book epic is well worth the time and effort expended and totally engrossing when you get into the story. It is said about John Crowley’s novel, “Little, Big”, that the further you go in the bigger it gets. This is also true for the Niccolo/Lymond chronicles.
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